Robert Richmond, is originally
from Hastings, England, and studied at the Royal
Scottish Academy of Music and Drama. For 14
years he was the Associate Artistic Director of
the Aquila Theatre Company before pursuing a
freelance career. He is delighted to direct
The Lost Colony. Robert has directed over 30
productions in New York, Europe and across the
nation including Romeo & Juliet,
Hamlet,Twelfth Night, The
Invisible Man, Agamemnon (with
Olympia Dukakis), Othello, The Man Who
Would Be King, Midsummer Night’s Dream,
The Importance of Being Earnest, The Tempest,Wrath of Achilles, Much Ado About Nothing,
Cyrano de Bergerac, Julius Caesar, The Iliad:
Book One, and King Lear. He has also
directed special concert engagements of
Cherubini’s Medea, Tanyev’s Oresteia,
and Theodorakis’ Electra at Carnegie
Hall. In 2005, Mr. Richmond’s production of
Much Ado About Nothing played a command
performance for a private reception at the White
House in honor of Shakespeare’s birthday for the
President and First Lady. This was the first
performance of a Shakespeare play in the White
House for many years.Robert
taught for seven years in the Classical Studio
at New York University’s Tisch School of the
Arts and now is a Visiting Assistant Professor
at University of South Carolina, Columbia where
he now resides with his wife and two beautiful
children.
Carl V.
Curnutte III
Executive Director/ Producer
A native of Ashland, Kentucky,
Carl Curnutte a graduate of Morehead State
University now resides in Manteo, North
Carolina. He is a Rotarian, and assists with
the March of Dimes. In his career he has worked
on several feature films including Chris Rock’s
Head of State, Ted Turner’s Gods and
Generals, Disney’s Tuck Everlasting
with Sissy Spacek, The Farm with Al
Pacino, and Local Knowledge. He has
designed costumes for such television series:
Ghost Stories with Rip Torn, The New
Detectives (Telly Award), The FBI Files,
The Prosecutors, Untold Stories of the
Navy Seals, and Daring Capers (Telly
Award); movies of the week The Killing Fields,
and Take the Money and Run; and
television pilots Commander in Chief with
Geena Davis, Georgetown with Helen Mirren
and The End of Civilization with Eric
Idle. His Broadway credits include The
Producers (Tony Award), Crazy for You
(Tony Award), Guys and Dolls, Private
Lives, The Royal Family, and the
national tour of A Christmas Carol. His
numerous video designs have won various awards
including the prestigious Cindy Award, given for
distinction in video production. Carl’s
crowning achievement was receiving a 2003-2004
Primetime Emmy Awards Nomination in the category
of Outstanding Costumes for a Miniseries, Movie
or Special for his work on the HBO Television
Movie Iron Jawed Angels starring Hillary
Swank, Patrick Dempsey, and Angelica Houston.
He is a member of the Academy of Television Arts
and Sciences. This summer marks his 18th
summer with The Lost Colony. He is a
former recipient of The Lost Colony’s
Evelyn Russell Layton Award, which recognizes
promising theatre talent. He dedicates his
summer season to all those who supported and
assisted the Costume Shop Replacement project.
William Ivey Long
Production Designer
Five time Tony Award-winning
costume designer William Ivey Long returns for
his 38th season with The Lost
Colony. First associated with the
production at age eight, he joined the company
as a colonist boy. While his mother performed
in front of the footlights as Queen Elizabeth I
and his father worked as property master,
technical director and director, Mr. Long spent
numerous hours backstage under the eye of
costume designer Irene Smart Rains, whose
guidance and encouragement helped lay the
foundation for his career as a Broadway costume
designer. He holds an undergraduate degree in
history from The College of William and Mary and
a Master of Fine Arts degree in stage design
from Yale University. He currently has 4 shows
on Broadway: Young Frankenstein; Curtains;
Hairspray (Tony, Drama Desk, Outer Critics
Circle Awards); Chicago. Other credits
include Grey Gardens (Tony Award); The
Producers (Tony, Drama Desk, Outer Critics
Circle Awards); A Streetcar Named Desire
(which marked Mr. Long’s 50th design
for the Broadway Stage); Sweet Charity; La
Cage Aux Folles; Twentieth Century; Little Shop
of Horrors; The Boy from Oz; Cabaret; Never
Gonna Dance; Contact (Hewes Award); The
Music Man; Annie Get Your Gun; The Man Who Came
to Dinner; Swing; Steel Pier; 1776; Smokey Joe’s
Café; Crazy for You (Tony, Outer Critics
Circle Awards); Guys and Dolls (Drama
Desk Award); A Christmas Carol; Six Degrees
of Separation; Lend Me a Tenor (Drama Desk,
Outer Critics Circle Awards); Nine (Tony,
Drama Desk, Maharam Awards). His designs have
also appeared in performances for such artists
as Mick Jagger, Siegfried and Roy, and for
choreographers Paul Taylor, Twyla Tharp, Peter
Martins, David Parsons and Susan Stroman. Mr.
Long was the recipient of the RIHA’s Morrison
Award (1992), the UNC Chapel Hill Playmakers
Award (1994), the National Theatre Conference
“Person of the Year” award (2000), the Order of
the Long Leaf Pine (2001), the Distinguished
Career Award from the Southeastern Theatre
Conference (2002), and the 2004 North Carolina
Award presented by Governor Easley. In January
2006 he was inducted into the Theatre Hall of
Fame.
Anthony Cochrane
Musical Director
Anthony Cochrane is a composer,
actor and musical director who originally hails
from the north coast of Scotland and now resides
in New York. He trained at the Royal Scottish
Academy of Music and Drama in Glasgow and has
worked extensively throughout the United Kingdom
and the United States. For over 11 years,
Cochrane served as an Associate Director and
Composer/Musical Director of the Aquila Theatre
Company. In this capacity he has written
musical scores and collaborated on the creation
of more than 20 productions including The
Birds, The Odyssey, The Comedy of
Errors, Julius Caesar, King Lear,
The Iliad, Cyrano de Bergerac,
Much Ado About Nothing, The Wrath of
Achilles, The Tempest, A Midsummer
Night’s Dream, The Man Who Would Be King,
Othello, Agamemnon, The
Invisible Man, Twelfth Night,
Hamlet and The Invisible Man. He has
also written music for 2 short films directed by
Alex Webb, Pizza and the award-winning
The Girl from 2C.
Mira Kingsley
Choreographer
Mira Kingsley’s
choreography and directing
work has been seen at REDCAT (Daughter of a
Cuban Revolutionary, Circle Course) The Bam
Next Wave Festival (Once Upon a Time in
Chinese America), The Kitchen (Warrior
Sisters), The Edinburgh Fringe Festival (The
Cantata For Acquiescence), The 24th
Street Theater (Good Night), The
Guggenheim Museum Works in Process Series, ASU’s
Gammage Auditorium, The John Harms Center for
the Arts, The Seattle International Children’s
Festival, HERE, The Yard, Joyce Soho, The 24th
Street Theater, Highways, and the legendary
Apollo Theater among others. She is currently
working with Jazz musician Fred Ho and
playwright Ruth Margraff on, Dragon Vs Eagle:
Enter the White Barbarians, for the BAM Next
Wave Festival in 2009. As a performer she has
been seen at venues including Broadway, Carnegie
Hall, and The Metropolitan Opera. Mira is a
recipient of the Jacob K Javits Fellowship in
Theater and has a double Masters degree in
Theater Direction and Choreography from
California Institute of the Arts where she
currently teaches dance-theatre.
Jim Hunter
Lighting Designer
Jim
Hunter joins the company for his first season at
The Lost Colony. Jim’s scene and
lighting designs have been seen at such theatres
as: Theatre Virginia, Phoenix Theatre, Charlotte
Rep, Arkansas Rep, Florida Rep, Playhouse on the
Square (Memphis), Drury Lane Theatre (Chicago),
Heritage Repertory Theatre(VA), Flat
Rock Playhouse (NC), as well as others. He
designed the scenery for the national touring
production of VeggieTales Live! and also
toured as lighting designer with the modern
dance company Wall Street Danceworks. Recent
projects include the lighting design for the
World Stage Design Exposition in Toronto and the
scene design for Thoroughly Modern Millie
at Phoenix Theatre for which he won his second
consecutive AriZoni Award for Excellence in
Scenic Design. Professor Hunter serves as the
Chair for the Department of Theatre and Dance at
the University of South Carolina and is the
Artistic Director of Theatre South Carolina.
He serves on the Commission for Accreditation
with the
National Association of Schools
of Theatre. Please
visit his online portfolio at
www.jimhunterdesigns.com
Michael Rasbury
Sound Designer
Michael Rasbury (Bachelor’s 1992
and Master’s of Art 1994, Louisiana Tech) is an
Assistant Professor at the University of
Virginia. In 2001, he toured internationally
with John Cage’s An Alphabet. Since 2007,
he has designed for the “Obie” winning
Transport Group in New York. At Actors
Theatre of Louisville he provided music/sound
for some of America’s innovative playwrights
including Jane Martin, John Patrick Shanley,
Donald Marguilles, and William Mastrosimone.
This summer, the O’Neill National Musical
Theater Conference will present Max
Understood, a musical written with co-writer
Nancy Carlin and based on Michael’s autistic
son, Max.
Stacy Sarmiento
Costumer
Daniel Moctezuma
Assistant Musical Director
Daniel Moctezuma is grateful to
be making his Lost Colony debut; it is
also his first time in North Carolina.
Moctezuma is a recent MFA Creative Writing
graduate at the University of Miami and has
spent the past seven years working as Music
Director and Assistant Music Director for
several of the University of Miami’s Jerry
Herman Ring Theater Productions, which include:
42nd Street, She Loves Me,
Falsettos, Baby, Sunday in the Park with George,
Bat Boy and On the Town. Last year he
worked at Seaside Music Theater in Daytona on
Silver Screen Serenade and Stephen
Schwartz’s new mosaic musical, Snapshots.
He also worked in the orchestra for the regional
premier of I Love You Because at Actor’s
Playhouse, in Coral Gables. He is
excited to be leaving South Florida and to
eventually join bigger fish in the city that
never sleeps.
Melissa Ricketts Tillery
Production Stage Manager
For over 14 years Melissa
Ricketts Tillery has helped actors find their
way to The Lost Colony as audition
director for the South Eastern Theatre
Conference. This summer Tillery journeyed from
the mountains of Pigeon Forge, TN to entertain a
different set of tourists. After receiving her
MFA in theatre from UNC Greensboro, she spent
five years working as Raleigh Little Theatre’s
Education Director. followed by developing
Durham Academy’s award-winning drama
department. Many of Tillery’s former students
have worked at The Colony over the years
and she is proud to join their numbers. With
over 100 directing experiences under her belt,
Melissa is thrilled to be directing A Funny
Thing… Forum. Melissa would like to thank
her family (Scot, Maura, Riley and Doxie) for
letting her play at the beach. She dedicates
her work to her parents who have given her so
much.
John Underwood
Technical Director
John Underwood
is excited to return to The Lost Colony
for his 22nd season. A local to Manteo, he has
lived and worked in NYC for the last 11 years.
New York credits include: Peony Pavillion,
The Torch Bearers, The Authors, Voice/Imagining
Brad, The Country Club, The Most Fabulous Story
Ever Told, If Memory Serves, A Good Swift Kick,
Stomp, Power Plays, De La Guarda, Dinner With
Friends, Savion Glover Downtown, Dinah was..., A
Night In November, Never the Sinner, The Secret
History of the Lower East Side, Snakebit,
American Passenger, As Bee's Drown in Honey, The
Waverly Gallery, Y2K, Cobb, Lifegame, The
Unexpected Man, Marcel Marceau in New York, The
Shape of Things, The Book of Liz, Les Mizrahi,
Adult Entertainment, Omnium Gatherum, Bat Boy
the Musical, Little Ham, Eve-Olution, The God of
Hell, Woman Before Glass, Tea at Five, In the
Heights, Random Acts One Act Festival, Die Mommy
Die, Doris to Darlene. Love to Ma, Dad, Deb,
BU, Ry, Sid & Joey.